• Public Art; a means for human development – The Artist as Social Animator
    It was about six years ago, in 2007, sitting in my small Hong Kong apartment, that I put down ideas for a work practice that would use public art and modern culture as means of developing community and habitat. A practice where the arts would be used not just as an aesthetic to beautify or […]
  • Cultural Patrimony: Learning to Save Los Angeles’ Mural Legacy
    By 2008, the world-renowned murals of Los Angeles metaphorically had a nail in their coffin; they had become a faded memory in the consciousness of the city. This amnesia of preserving the cultural patrimony of LA was a social epidemic that I later learned was happening to public art in many cities across the country. […]
  • Take Me to Tomorrowland
    I walked away with three things upon finishing my graduate studies in Public Art and Urban Planning: a diploma and two questions. How can I help make art that is more accessible intellectually, emotionally and physically? What are alternative and sustainable income resources for artists to make a living besides selling art in galleries and […]
  • 158 Years: An NYC Public Art Journey
    I am a firm believer that you have to understand where you have been to know where you are going—and public art in NYC has changed drastically over the past century and a half. The first sculpture in a New York City park was George Washington by Henry Kirk Brown, which was unveiled in Union Square […]
  • Common Field — Where Arts Organizers Convene, Exchange, Vision
    Arts organizers face a unique set of problems, probably similar to that of a circus ringleader. You need diplomacy, imagination, creativity, flexibility. You also have to be incredibly practical – managing budgets, funders, logistics. You’re often working with volunteers and supporters who need to receive non-economic benefits and feel engaged and excited. Communication is key. […]

Digest powered by RSS Digest

About the Author

Post a Reply